Search Results

24Karat Tours include a walkthrough of the buildings and sculpture garden while learning about the history of the Metal Museum and the artwork currently on display. For the hands-on activity, participants will be able to design their own aluminum art tile which will be cast on-site. Guests will have the option to pick up their tiles that day or have them shipped for an additional fee.

Learn to operate a wire welder (MIG) and ARC welder. The Metal Museum has assembled an inspirational pile of scrap steel in various shapes and sizes for you to weld and create anything you can imagine.

Sometimes described as the “hot glue gun” of steel. Learn to safely operate a wire welder (MIG) and ARC Welder. The Shop Staff has assembled an inspirational scrap pile of shapes and sizes of steel for you to create anything you can imagine!

By Savannah Smith I am very thankful to the Metal Museum for the opportunity to go to and represent them at the International Conference on Contemporary Cast Iron Art in Berlin, Germany. I didn’t imagine going until I learned that there was a grant available to the apprentices here, without which I would not have been able to attend. This was a very special trip for me and something I will never forget. I learned a lot over the week I spent in Germany: I saw a sculpture by someone who influenced my path in metal work, expanded my community of friends and peers, was taken aback by the beautiful art in the gallery shows, listened intently during the theoretical panels, and was in awe of a fabulous bronze foundry where an iron pour was taking place. Of course, more than just those things went on during my trip that made it memorable and thought-provoking. The influence that this trip has had will inspire my work and how I interact with learning, teaching, and making art for the rest of my life. As artists who make heavy work, we know that it takes a team to bring our ideas into reality. The idea of helping, learning, and growing alongside one another was further galvanized by my experience in Berlin. Attending this conference ultimately made me more appreciative of the Metal Museum and other arts organizations like it. It is a place where everyone is welcome and wanted: artists and non-artists.

"Hope" is the thing with feathers That perches in the soul - Emily Dickinson When Blues Bird outside the Cossitt Library in Downtown Memphis was injured earlier this year, one of its wings damaged by a falling branch, the Metal Museum was at the ready, mending the new public sculpture to allow the songbird to fly high again. The piece is an original artwork designed by Portland-based firm rhiza A+D, which drew inspiration from Memphis as well as the Father of the Blues, W.C. Handy. A haven of creativity and imagination, the downtown library was the perfect place for "Blues Bird" to perch, sharing its pop-up storybook pages with passers-by. Commissioned by the City of Memphis Percent-for-Art Program with the Urban Arts Commission, "Blues Bird" invites the people to become immersed in its pages, reading words composed by Memphians young and old. After some TLC to the wing, which is around 20 times the length of an average mockingbird wing, the Metals Studios team brought it back to its original home, reaffixing the wing so Blues Bird can soar once more outside Memphis' first public library.

As a rather new employee at the Metal Museum, I have recently been exposed to a myriad of metal artwork. While I continue to learn more about this particular kind of art, it is safe to say that the Metal Arts is an incredibly unique and innovative field. Upon my arrival to the museum, the exhibition From Artisans to Artists: African American Metal Workers in Memphis was just beginning to operate in full swing. The exhibition, specially curated by the brilliant Dr. Earnestine Jenkins, quickly piqued my interest. Fortunately, the museum staff was given the opportunity to have a guided tour of the exhibit- an opportunity that I am grateful to have been offered. The artwork itself is a beautiful collection of African and African American pieces that have made statements in the metal work community. I was excited to see artwork from West Africa featured in the exhibit as I studied the art of this region during my last year of undergrad. To know that these foreign pieces could be connected to the work created by Black metalsmiths right here in Memphis was mind-blowing. With Dr. Jenkins being a proud native, it is understandable that one of the focal points of this exhibit is Black pioneers of Whitehaven. From Artisans to Artists: African American Metalworkers in Memphis offers a detailed perspective into the forgotten history of the city and the African American metal workers who greatly impacted the development of the area. The exhibit provides information on historical figures that may not have been discussed in primary school. For example, photography and biographic information is presented for Blair Hunt and David Carnes–two extraordinary blacksmiths and entrepreneurs. There is also artwork from incredible contemporary artists: Richard Hunt, Lorenzo Scruggs, Desmond Lewis, and Hawkins Bolden. I was impressed by the creative genius of each metal worker’s artistic decisions, i.e. Lewis's choice to include music as a way to enhance the meaning of his artwork. As We Come To An End... At the end of the tour, I was left in awe as I reveled in such an enlightening experience. As a young African American woman and Memphis native, I realized that From Artisans to Artists was a collection of profound work that would forever change my perspective of Memphis and the communities that have brought and continue to bring life into this city. This is an amazing exhibit and as it approaches an end on September 11, I am highly anticipating the next event where Dr. Jenkins discusses more about her research. From Artisans to Artists: Art in The Park will be held on September 10 from 10am-2pm, at David Carnes Park; this is a free community event that will commemorate the namesake exhibition a day before its closure.

UPCOMING EVENTS PBS KIDS ROCK SCAVENGER HUNT SUNDAY, APR. 21, 2024 1PM – 3PM Join us for this FREE event to celebrate PBS Kids' new logo, as we go on a scavenger hunt for rocks that are hidden around the museum grounds. Prize baskets will be awarded to those who find a rock! RSVP VISIT COLLECTION OBJECT DETAILS TRIBUTARIES: MORGAN LUGO OPENING RECEPTION SUNDAY, APR. 21, 2024 3PM – 5PM Join us for an opening reception for our latest exhibition Tributaries: Morgan Lugo RSVP VISIT COLLECTION OBJECT DETAILS PHOENIX SAVAGE ARTIST TALK THURSDAY, APR. 25, 2024 6PM – 8PM Please join us for an in-person Artist Talk with Phoenix Savage: on Casting History and Process RSVP VISIT COLLECTION OBJECT DETAILS SUPPORT THE METAL MUSEUM Your donations allow us to fulfill our mission by supporting various programs and projects throughout the year. DONATE

CURRENT BRANCHING OUT FEB. 18 – SEP. 8, 2024 LEARN MORE SIGN UP FOR A CLASS to learn metalsmithing techniques TAKE A DEEP DIVE into the metals field UPCOMING EVENTS See what events are coming up SIGN UP for monthly updates and news BE THE SPARK Create a new Metal Arts center in the heart of Memphis *Metals Studios demonstrations will be cancelled during an active heat advisory.

TRIBUTARIES: MAY 22 - JULY 17, 2022 THOMAS CAMPBELL | COROLLARY “There’s an activeness to craft... For me, a big part of it is the process and the act of creating and the decisions I make to get to the end result.” –THOMAS CAMPBELL ( Black Duck Revival, Episode 6 ) Thomas Campbell is a studio artist and fifth-generation steelworker living and working in Asheville, NC. Following his graduation from Hendrix College (Conway, AR), he worked as an industrial steel fabricator at Bemberg Iron Works, his family’s 136-year-old steel fabrication business. Campbell was awarded a two-year fellowship at Penland School of Craft (Bakersville, NC) in 2016 and was named an Early Career Artist in 2018 by The Society of North American Goldsmiths (SNAG). Campbell has taught at Penland School of Craft and the Haystack Mountain School of Crafts (Deer Isle, ME). In 2018, he was a resident at Haystack’s Open Studio Residency. His work has been shown at the Metal Museum (Memphis, TN), Blue Spiral 1 (Asheville, NC), Signature Gallery, (Atlanta, GA), and the MINT Museum (Charlotte, NC). His pieces are held in private collections and the permanent collection of the University of Arkansas (Little Rock, AR). ​ Campbell’s artistic practice is informed and inspired by the seven years he spent working at Bemberg Iron Works. Through his work, Campbell seeks to honor his familial traditions by drawing on the technical skills, industrial aesthetic, and processes that have driven functional steel fabrication for decades. His devotion to detail, a thoroughly developed understanding of material, and an eagerness to push boundaries in both form and function bring precision and presence to his art. ​ image: Thomas Campbell, Sequence, 2022. Blackened steel. Artwork courtesy of the Artist. Photo courtesy of Steve Mann. ​ ARTIST WEBSITE PRESS KIT CLOSING RECEPTION & ARTIST TALK 3 - 5pm with Artist Talk at 3:30pm Saturday, July 16 Keeler Gallery / Outside Exclusive Member Meet & Greet with the Artist at 2PM ​ ​ ​ ​ RSVP TO EVENT Derived from the Museum’s location along the Mississippi, as well as from the focus of the exhibition series, Tributaries features artists whose work is beginning to have a significant impact on the metal arts community. EXHIBITION & PROGRAMMING SUPPORT Windgate Charitable Foundation Hyde Family Foundations OPERATING SUPPORT ArtsMemphis Tennessee Arts Commission